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Jeffrey Bilbro

By on October 16, 2013 in Faculty Publications

Bilbro, Jeffrey. “The Form of the Cross: Milton’s Chiastic Soteriology.” Milton Quarterly 47, no. 3 (2013): 127-148. doi: 10.1111/milt.12043

Abstract: While Milton’s mastery of rhetorical figures has long been admired and discussed (see Pallister, Wood, Broadbent, and George Smith), scant attention has been given to his use of chiasmus. Understanding how Milton employs this figure can illuminate his ideas about the Crucifixion. In turn, recognizing the medieval and Renaissance association between the event of the Crucifixion and the crossing structure of chiasmus can lead to a reassessment of the role the Crucifixion plays in Milton’s soteriology and a new appreciation for the vital connection between Milton’s poetics and his theology. In essence, the inverted shape of chiasmus enables Milton to enact the Son’s overturning work of redemption on the cross, and the contrasts drawn by the repetitions produced by this rhetorical figure depict the way this redemption reconciles seeming opposites.

Brent Cline

By on August 13, 2013 in Faculty Publications

Cline, Brent Walter. “Great Clumsy Dinosaurs: The Disabled Body in the Posthuman World.”  In Disability in Science Fiction: Representations of Technology as Cure, edited by Kathryn Allan, 131-143. New York: Palgrave Macmillan, 2013.

The Stem Cell EpistlesIn science fiction, technology often modifies, supports, and attempts to ‘make normal’ the disabled body. In this groundbreaking collection, twelve international scholars — with backgrounds in disability studies, English and world literature, classics, and history — discuss the representation of dis/ability, medical ‘cures,’ technology, and the body in science fiction. Bringing together the fields of disability studies and science fiction, this book explores the ways dis/abled bodies use prosthetics to challenge common ideas about ability and human being, as well as proposes new understandings of what ‘technology as cure’ means for people with disabilities in a (post)human future.

Jeffery Bilbro

By on November 13, 2012 in Faculty Publications

Bilbro, Jeffrey. “The Ecological Thought.(Book Review).” Christianity and Literature no. 4 (2012): 693.

Abstract: In his latest book, Timothy Morton provides those scholars who are interested in the growing field of ecocriticism but not sure what all the fuss is about with a provocative, accessible introduction to the radical implications and intriguing possibilities that ecology offers for cultural theory. Those looking for literary analysis or an overview ofthe current state of environmental literary theory should turn elsewhere—starting with Lawrence Bueil’s excellent, if now slightly dated. The Future of Environmental Criticism: Environmental Crisis and Literary Imagination (2005). In The Ecological Thought, Morton leaves behind the close textual analysis, high-level theory, and, thankfully, the impenetrable prose, of his previous book. Ecology without Nature: Rethinking Environmental Aesthetics (2007). Instead, he offers a series of probing thought experiments and far-reaching cultural and theoretical analyses that explore ecology’s cultural implications. Morton’s style embodies the provocative irony that he argues the ecological thought demands as he takes on the role of “the irritating Columbo-style guy at the back of the room, the one who asks the unanswerable question” (115). So while many of Morton’s answers suggest that his conception of :he ecological thought is not as radical as he thinks it is, or as it perhaps should be, his questions challenge scholars in the liberal arts to wrestle with the consequences of ecology’s recent scientific discoveries.

Jeffrey Bilbro

By on September 26, 2012 in Faculty Publications

Bilbro, Jeffrey. “Who Are Lost and How They’re Found: Redemption and Theodicy in Wheatley, Newton, and Cowper.” Early American Literature 47, no. 3 (2012): 561–589. doi:10.1353/eal.2012.0054.

Abstract: The article critiques poems which focus on the themes of redemption, theodicy and the African American slave trade, including the poem “On the Death of the Rev. Mr. George Whitefield,” by Phillis Wheatley, “Olney Hymns,” by John Newton and “Charity,” by William Cowper. The relationship between the poetry of Newton, Wheatley and Cowper and the abolition movement is discussed.

Brent Cline

By on September 26, 2012 in Faculty Publications

Cline, Brent Walter. “‘ You’re Not the Same Kind of Human Being’: The Evolution of Pity to Horror in Daniel Keyes’ Flowers for Algernon.” Disability Studies Quarterly 32, no. 4 (2012).

Abstract: Of American novels that engage with the topic of mental disability, few are more popular than Daniel Keyes’s Flowers for Algernon. Such popularity seems based on a simplistic reading of the novel where the mentally disabled are objects of good-natured compassion. A more thorough reading of how Charlie Gordon is presented, however, leads to the conclusion that mental disability is the embodiment of death in the novel. Readers are first taught to pity the pre-operative Charlie, but once they come to respond to the ethical voice of the post-operative Charlie, his regression to his original state becomes the rhetorical villain in the novel. At first an object of pity, the mentally disabled Charlie Gordon eventually becomes the metaphorical horror of oblivion that no character has the power to overcome.