Tag Archives | Jen Letherer

Jen Letherer

Letherer, Jen. Remote Virtue: A Christian Guide to Intentional Media Viewing. Santa Barbara, CA: Praeger, 2015.

Remote VirtueTelevision and movies shape popular culture, with audiences often unaware of how media messages influence the way they think, act, and view the world. In this enlightening guide, author Jen Letherer interprets film and television shows from a Christian standpoint, revealing how beliefs and values portrayed on the big and small screens often impact the moral conduct of daily viewers. This book provides the tools for Christians to discern the implicit and explicit messages found within this medium, and shows how motion pictures can improve or erode religious principles and a spiritual way of life.

In a conversational tone, the work combines classic film theory, an assessment of story structure, and faith-based film criticism to delve into meaning and interpretations of popular movies and shows. Highlighted television programs include Top Chef, Modern Family, Downton Abbey, and The Walking Dead. The book also features films like Citizen Kane, Thelma and Louise, Star Wars, Inception, and The Hunger Games. This fascinating critique prompts media consumers to analyze the messages that their favorite broadcast programs send, consider if those messages are in line with their own values, and align their viewing choices with their personal beliefs.

Jen Letherer

Letherer, Jen. “Hollywood Worldviews: Watching Films with Wisdom and Discernment/Word Pictures: Knowing God through Story and Imagination.” Christian Scholar’s Review 39, no. 2 (2010): 237-240.

Abstract: Even in this book I have struggled with this balance [of discussing positives and negatives]. Because of the constraint of space, I have tried to focus on movies that illustrate a particular point, good or bad, without examining the counterpoint. […] it seems to indicate that the readers Godawa wishes to influence should do what he says and not what he While the calls for discernment and understanding of narrative from different perspectives are extremely salient, Godawa’s practice of overgeneralizations nearly negates this call.